Maydegol (2024)

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Migration has been a defining reality, whether across borders or within them, for many of the communities living in and around Iran, reshaping lives through displacement, uncertainty and search for stability. For women, this is an even more layered experience as they are affected not only by the economic and legal precarity but also by expectations of family and community. Today, Iran also hosts one of the world’s largest populations of such displaced Afghans who arrived in repeated waves since the Soviet invasion of Afghanistan in 1979, with their numbers now estimated at roughly 4–6 million, making them a significant minority within the country.

The documentary follows Maydegol, a 19-year-old Afghan refugee living in Iran who risks everything to become a professional Muay Thai boxer. Directed by Savnaz Alambeigi, we see her navigating a “triple threat” of a physically abusive father, a conservative culture that forbids women from sports, and the constant threat of deportation. To fund her secret training, she works gruelling shifts on fruit plantations, hiding her bruises and her ambitions from her family. A symbol of the resilience of Generation Z of Iran, the story culminates in a high-stakes Muay Thai match, where she channels years of suppressed anger and constraints into a performance of striking intensity, highlighting that triumph for Maydegol lies not in resolution or escape but in persistence and an insistence on selfhood.

Highly appreciated, Maydegol received critical recognition at the 2024 Berlin International Film Festival. Beyond chronicling movement, the film leaves a profound mark: migration is not merely a change of location; it reshapes lives, forging new identities, new possibilities, and new reckonings that outlast the journey itself.

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